![sine wave u he diva sine wave u he diva](https://i.dailymail.co.uk/i/pix/2016/07/30/23/36BC612000000578-3716391-image-m-14_1469919474190.jpg)
We draw in some automation for the LFO frequency, meaning that the sweeps of the Phase Distortion control move faster and slower as the sequence plays back. To set up parameters on Falcon for automation in Ableton, first we need to activate the configure button in the Ableton device, then we can right-click on the control in Falcon and assign it to host automation. To add even more movement to the pad, it would be nice to modulate the LFO frequency. We keep the LFO controls as they are, just turning the modulation amount down to 0.46. Setting the Phase Distortion amount to around 40%, we right-click on the control and add an LFO modulator at the Keygroup level. We select the Bend +/- mode, which will stretch and shrink the waves in a way that creates really interesting characteristics when we turn up the Phase Distortion amount control.Īgain, this control will sound great modulated, but this time we’ll use an LFO for our modulation source. We can set the type of phase distortion here and also adjust the amount. Underneath the Wave Index control we have the Phase Distortion controls. This creates a sequenced movement on the Wave Index control, meaning the pad sound is constantly modulating as it plays back. We turn the modulation amount down to 0.35 for a more subtle modulation. We click on the box to the top right of the MultiEnvelope section where it says Default, and choose the ‘Wobble 034’ preset. The MultiEnvelope is great for setting up unique modulations – you can either draw in your own envelope or choose from one of the many presets Falcon comes loaded with. First we move the Wave Index control up a little, then right-click on the control and choose to modulate it with a MultiEnvelope, with the modulation set up at Keygroup level. Auditioning this, we can hear it will sound great modulated. The Wave Index control will sweep through all the different slices contained within a wavetable. You can even create wavetables from images, so be sure to have a go at creating your own wavetables for some unique tones. Note that you can create your own uniques wavetables here by dragging and dropping audio files into the wavetable box. We opt for the ‘ModelPWM’ table from the Analog section. To really engage what the wavetable oscillator has to offer, check out some of the Multi wavetables. The wavetable oscillator will load a sine wave by default, so click on the drop-down menu where it says Sine to reveal all the different categories. Then we begin auditioning some of the interesting wavetables we have on offer. We begin by loading a new instance of Falcon and setting up a wavetable sscillator on a new layer, mapping it across the keyboard. We’ve used a chord sequence in the key of A minor: In this instalment of Synth Secrets we’ll be looking at how we can use the wavetable oscillator in UVI Falcon to create a rich, warm pad sound with lots of movement:
![sine wave u he diva sine wave u he diva](https://blog.native-instruments.com/wp-content/uploads/dynamic/2020/02/u-he-1-03-1200x0-c-default.jpg)
SINE WAVE U HE DIVA HOW TO
Synth Secrets is a series of programming tutorials in which we show how to make a range of classic and new synth sounds using plugins such as Massive, Sylenth and Diva.